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Elizabeth Campbell
House (A Standardized Affectation for a Telepresence) View of First Room, 2000; Cibachrome print; Courtesy of Roebling Hall, Brooklyn, NY.
House (A Standardized Affectation for a Telepresence)--View of the First Room, 2000; cibachrome print, 30 x 40 inches; courtesy of Robeling Hall, Brooklyn, NY.
House (A Standardized Affectation for a Telepresence) View of First Room, 2000; Cibachrome print; Courtesy of Roebling Hall, Brooklyn, NY.
House (A Standardized Affectation for a Telepresence)--View of the Second Room, 2000; cibachrome print, 30 x 40 inches; courtesy of Roebling Hall, Brooklyn, NY.
Elizabeth Campbell, Multiple Dresser, 2002 Cibachrome print; 20 x 24 inches, Courtesy of the artist
Stretching Personal Products (A Simultaneous Temporal Sequence), 2002; Cibachrome print, 24 x 20 inches; Courtesy of Roebling Hall, Brooklyn, NY.
Cumulative Aspects of a Lipstick, 2002, Cibachrome print, 16 x 11 inches; Courtesy of Roebling Hall, Brooklyn, NY.
Kara Crombie
Kara Crombie, 2001; multi-channel digital video on three monitors,
dimensions vary; courtesy of the artist.
Joseph Maida
#4 Ben, Fur, 2001; c-print, 20 x 24 inches; courtesy of the artist.
#6 Ben, Fan, 2001; c-print, 20 x 24 inches; courtesy of the artist.
#7 Ben, Tall, 2001; c-print, 40 x 30 inches; courtesy of the artist.
#8 Ben, Butt, 2001; c-print, 24 x 20 inches; courtesy of the artist.
#7 Ben, Tub, 2000; c-print, 30 x 30 inches; courtesy of the artist.
#3, Ben, Bandaid, 2001; c-print, 20 x 24 inches; courtesy of the artist.
Sarah Lucas
Self-Portraits, 1990-1998, 1999; 12 color Iris prints, dimensions vary; courtesy of Barbara Gladstone Gallery, New York, NY.
Connie Walsh
Push Pull, 1996; wooden chairs, steel, monitors, amplifier, speakers, dimensions vary; courtesy of the West Collection at SEI.